ON EXHIBIT IN THE GARDEN

 

Currently on exhibit
in the Sculpture Garden

The intention of this initiative is to provide a public venue for contemporary sculpture in Provincetown, MA. Preference will be given to work that’s created by residents of the Outer Cape, but we’re open to proposals by artists with a seasonal relationship to Provincetown as well. Both prefabricated works and site-specific works intended to be constructed on-site are encouraged.

 



Work Wonderfully With What You Have, January 2021

62hx26w" mixed media, recycled metal, glass, decorative notions, 115lbs
Donna Mahan



Contact:
email call website
Donna Mahan, Mixed Media Sculptor
P.O. Box 499
North Truro, MA. 02652

Conceptual Intent
This sculpture reminded me that immigrates came to this country with their sewing machine in tote. They might not know the English language however their machine and its many components has a universal language. We all carry stories and memories connecting to history. My heart’s vision is to keep working wonderfully with all our history through storytelling and reinvention. 

 
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Phone on the Wind

Provincetown Phone on the Wind — referring to messages being carried on the wind — is a collaboration among 10 local artists that was inspired by the Phone of the Wind created by Itaru Sasaki in Otsuchi.

“As we know, art is a great vehicle for the human condition,” said curator Dawn Walsh, who came up with the idea for the community project after seeing a documentary about the Japan booth. “So for me, being in Provincetown, in an arts colony surrounded by artists, it’s just so important to utilize art-making as an invitation for us as a community to engage in (discussion of) death and dying, grief and loss.”

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PREVIOUSLY ON EXHIBIT
IN THE SCULPTURE GARDEN

 

The Other
epoxy, fiberglass & metal
Colin Moore

Colin Moore explores emotions and relationships between people and the world they live in. His work represents the common human experience, with all its myths and frailties. He captures that sense of transience in the ephemeral quality of his sculptures, which viewers will notice when moving around or through them.
Aware that we perceive three-dimensional objects using a primitive part of the brain that creates a visceral memory, Moore uses objects and space to communicate feelings. His intention is to invite the viewer to be present and accept the moment with trust, whether fabulous or futile—it is perfect just as it is.

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Maiden Voyage
brass
Nancy Rahnasto Osborne

Nancy's sculpture captures and anticipates motion. She is inspired by the landscape and the human form. Like all natural things, there is something different to be discerned from every side. 

Nancy Rahnasto Osborne was born and raised in Fitchburg, Massachusetts.  She graduated with a Bachelor of Arts Degree in Folklore and Mythology from Harvard University, and received a Masters of Business Administration from UCLA.  After a career at The Walt Disney Company focusing on international consumer product management and marketing, she reconnected with her earlier interests in art and music. In 2008 Nancy began to dedicate herself full-time to her art, inspired by her summers spent on the Cape.  She was introduced to sculpting at Truro Center for the Arts, studying with Joyce Johnson.  She has pursued further instruction for the last 7 years with Romolo Del Deo, at Studio Romolo in Provincetown, MA.

 

Her paintings and sculpture have been exhibited at The Works Gallery in Wellfleet, Truro Center for the Arts at Castle Hill and the Provincetown Art Association (PAAM).  Her lost wax abstract bronze "Maiden Voyage" is currently featured in Provincetown Commons outdoor sculpture initiative at 46 Bradford Street, Provincetown MA.  

 

Outside of her art, Nancy dedicates herself to supporting her community by serving on various non-profit boards that have included leadership positions with Truro Center for the Arts at Castle Hill and The Angeles Chorale.   She lives nearly half the year in North Truro.  As the season permits, she rows her scull at sunrise most mornings in the sweeping vista below Fort Hill.

"When you touch one thing with deep awareness,
 you touch everything."

- Lao Tzu 

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Whorl

Frank Vasello

2021

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A SPIRAL LABYRINTH
KATIE SCHWERIN
2021

About the Artist:

I have been an artist throughout my life, with a love for hands-on mediums ranging from fabric sculpture and puppetry, to color-light forms moving to music, to the construction of a large scale boulder labyrinth 125 feet in width. I am an interdisciplinary artist and a recent graduate with an MFAIA degree from Goddard College where I was nurtured as I brought all the pieces of my artist journey of the past fifty years into one whole.

I have a strong affinity with the natural world. I honor and recognize the rhythms of life from the the night sky to the whole earth weather patterns, to a specific place on earth, the soil, water and sun light at play. Even boulders and rocks have their part. They are sentinels for us, grounded and ancient. I experience the natural world as it guides, heals and nurtures me and I want to bring this to others through my art. From a connection to the quiet complexity of nature, I create labyrinths, lead labyrinth creation workshops, and form land art.


Walking the single pathway of a labyrinth is an inward journey to a moment of stillness at the center. And then a journey back. Walk. Breathe. Center.


The Cosmic Spiral Labyrinth

“The spiral is an archetypal symbol that represents cosmic force.” Jung


The spiral form is found throughout nature - in seashells, ferns, flowers, and also in the starry night sky. When two spiral forms intertwine in this spiral labyrinth, there is the possibility of walking into the center and out again, imagining a journey into the cosmic forces of evolutionary form. This path can be walked meditatively to deepen one’s own evolving life path.


Artist: Katie Schwerin

Contact:

e: schwerin@badgerbalm.com | p: 603-358-0751

Installation support: 

Little Field Landscapes and family & friends 

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The Installation:

Once on site, I drew the form, measured, adjusted and put in the stakes. Then we lined up the logs in order of height and adjusted their heights with a chain saw where there was a need. Next came the metal edging and drilling. The last thing to do was to tie the rope. Both Chris and Rebecca are boat people and so they took on this challenge, soaking the rope first and then making the knots and then finally, drilling a section of the rope to the post so it wouldn't expand and fall out of position.

Finally, after months of envisioning, it was completed.

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About The Spiral Labyrinth:

The spiral labyrinth is two spiral forms intertwined with a vortex. Viewed from above, it is a cosmic wave like the curl of the surf. The spiral form is found throughout nature - in seashells, ferns, flowers, and also in the starry night sky. “The spiral is an archetypal symbol that represents cosmic force.” (Jung). The choice of this labyrinth for The Commons was inspired by this past year of struggle. Surely we all need some deeper connection to our lives, and the double spiral labyrinth seems to me to speak to this need.

Why birch? In the NH woods, the birch stands out in the forest as it catches the light. White birches have appeared in my art since I was a high school student learning batik in art class. I was entranced by the way the birch popped out as a point of light, illuminating the dark, green forest when the sun shines. The white of the birches surrounding my home offer a way to define and honor the energy of a labyrinth and to bring it down to earth and make it visible.

Much of my labyrinth work requires the help of others to gather, move and assemble the form. And these labyrinths welcome the community to come and walk, to connect. So this was a fun, challenging, community endeavor that grew from harvesting birches near my home, to trying out ways to make these logs create the form of a spiral, smooth and inviting, and finally to a weekend installation, efforts by family and friends to give it life here at The Commons.

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We are all Birds of a Feather
reused steel drums and metal
Bethia Brehmer

Bethia Brehmer Cape Cod artist inspired by nature.

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The Underdog
clay cast in bronze
Thomas Gothers

Contact: email call website
Thomas Gothers
401 Washington Street, Apartment 2
Brookline MA 02446

Proposal
The piece I am submitting is titled The Underdog. It is a piece I originally made in clay and after talking with a number of people decided to have cast in bronze in the hopes that I could install it outdoors in a permanent setting.

The piece is simple. It is a dog that is cowering. It is thin. It is down. Its tail is tucked. However, it has a strength that so many dogs have to “come back” to become well, and as a sculpture, to come alive. The Underdog’s simplicity and narrative are supported by a strong composition. Lines and texture move you around the piece and as much as one looks to it as if it could be alive, the inherent sculptural elements ground it in its material giving it metaphorical value.

It is best displayed at just around or above the average waist height of an adult. This makes the majority of the viewers have to crouch when looking at its face and simultaneously elevates the dog to a closer-to-eye-level position. This counterbalances the dog and the viewer, each slightly off from their “normal”. It demands interaction. It is my hope and it has been my experience with this piece, that it evoke an empathetic feeling from the viewer. The piece was constructed so that it is interesting from all angles and beckons the viewer to walk around it. It is installed close to the edge of its base creating visual tension. 

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How to Apply

 
 

Eligibility

All artists, minimum age 18 years, are welcome to apply. A second program for young artists will be announced separately.

Proposal Guidelines

Proposals can be for existing or new work. Each artist may submit up to three proposals. However, only one proposal from an artist can be accepted. Each proposal must include a project description outlining dimensions, weight, title, medium, date of completion, a statement of conceptual intent, and the preferred dates of installation. Each proposal should include up to 3 images of a completed work or concept sketches/models of a new work to be constructed. The Commons reserves the right to refuse any delivered work that is not completed as proposed.

All proposals should include a cover letter outlining the artist’s contact information (name, address, email, phone). Please include an artist statement. Additional support materials are not required but may be requested at a later date.

Each proposal must include statements regarding how the sculpture will be secured, the durability of the sculpture, and how it will not negatively impact public egress or safety.

Submission Guidelines

Textual information should be in PDF format and images should be formatted as high quality jpegs. Please also include an image index text. All application materials should be submitted via email as one zipped folder to create@commonsptown.org. Total folder size should not exceed 20MB.

Design Considerations

The site of installation is a highly trafficked, street-facing courtyard at 46 Bradford Street in Provincetown, MA. It is totally open to the elements and can be prone to harsh weather conditions including high winds. When necessary, sculptures can be sited on concrete pads.

Note: For the duration of exhibition (excluding travel to and from our site), all works will be insured and indemnified by Provincetown Commons. Also, installation sites will have no access to electricity, independent lighting, etc.

Selection Criteria

  1. Submittal of all required application materials as outlined in the RFP

  2. Attention to context: architectural, historical, geographical, and cultural

  3. Originality: creativity and uniqueness of proposed artwork concept for this project

  4. Maintainability: structural and surface soundness, durability and

    resistance to vandalism, weathering, excessive maintenance, repair costs

  5. Appropriateness for placement on a street-facing, park-like site

  6. Feasibility: artist's proven track record/ability to complete the

    work on time and within the budget.

Selection Committee

The selection committee will be made up of Provincetown Commons board members and other creative professionals.

Installation Support

Limited installation support is available to artists selected to show work (budget not to exceed $1,000). This stipend is to cover the cost of installation and de-installation. Payment will be made upon the successful installation of the proposed sculpture. Artists are required to submit a basic budget to determine the proposal’s feasibility. If the budget is greater than the $1000 stipend, it is the artist’s responsibility to provide additional funding.

Application Checklist

The following should be in pdf/jpeg formats bundled into a .zip folder.

  1. Cover letter including contact information

  2. Proposal(s) with images and basic budgets

  3. Image slide list

  4. Statement of durability, security, and safety

  5. Artist statement

  6. Artist’s resume

Contact

Please direct all questions via email to create@commonsptown.org.

Accepted Artists’ Responsibilities

  • Provide 150–300-word artist’s statement and digital image for print/online brochure and publicity.

    • Return signed loan agreement (contract)

    • Deliver and install sculpture

    • De-install and remove sculpture

*Non-Discrimination Policy: The Provincetown Commons upholds a commitment to promoting equal opportunities for all, without regard to race, sex, gender, color, age, religion, national origin, ancestry, marital status, sexual orientation, gender identity or any other basis proscribed by law.